Ultraaaa wide

Recently I have been commissioned for to shoot for a dental hospital. It has surgical facility and all the associated laboratory facilities. Any person coming to the hospital with a dental problem can get all his needs attended to under a single roof.

To get on to the theme of this topic, this type of indoor shoot sessions need to be preplanned and made execution-ready with a certain thoroughness and seriousness. This would apply to all shoots that need to backed by a weighty commitment. I fixed an appointment with the client a week ahead, to firm up on the schedule and locations of the shoot. I also had a long discussion with the client about how they want the photographs, and for what purpose they want, in an attempt to understand what are their intentions/ideas are and the use the photographs are going to be put to. I came to know during the conversation that they are putting up a website to show to the world the facilities/competencies they have. It was, at this point of time, important to understand the level of lighting that needs to be maintained at the time of the shoot session. The choice/trade-off was between using auxiliary/sophisticated lighting at extra cost or use existing lighting/minimal equipment and bring out the best possible pictures under the circumstances. Needless to say, the customer wants pictures that would be used in a marketing showcase, be it in digital form or print form(web, brochures etc.).

I surmised that the shoot can be done only by ultra-ultra wide lenses and I selected Canon 16-35mm f2.8 L II as my boy along with Canon EOS 5D M III as my recorder and Canon 50mm prime f1.8 for few portraits of the staffs. This shoot is not really an artistic portrait, you don’t have to look out for exotic views or angles as the photographs are meant for the general public (patients too). Simplicity and neatness are the key elements.

Simplicity

During the shoot I stick with one rule “Either keep the room’s vertical lines parallel with the vertical lines in the frame or horizontal lines in the room parallel with horizontal lines in the frame, if possible keep both. But definitely not without either, which will make something extraordinary or ugly. Even when you shoot this cautiously you will end up with a  noticeable amount of both barrel and pincushion distortions .

Lightroom comes in to rid the pictures of all the distortions and it does automatically if you select Auto for most of the lenses. Manual intervention is required for all the ultra-ultra wide lenses for manual correction might be necessary because automatic correction based on lens profiles are not very accurate when distortion levels are too high.  It is necessary to be careful while making corrections for distortions. You have to careful while correcting though.

Both of the photographs here have been corrected in Lightroom. Here is a quick peek into Lr Lens Corrections. The Lens correction panel has been further divided in to Profile, colour and Manual. The first sub panel “Basic” is the front control of the next two panels. If you check the check box all the auto correction will be applied by Lr. Even after the auto corrections, if you feel to fine tune it you have to click the respective panels. When shooting jpeg some older cameras might not provide lens information in the image file and in such cases we have to remember the lens used and later choose it in Lightroom’s Profile subpanel,  if it is present there and then Lightroom will apply the relevant corrections to the image.

Neatness

If you are not satisfied with the Lr’s Chromatic Aberration correction, you can do it manually by clicking the eye dropper directly on the image where the CA appears. You can easily find it out by viewing the image on 1:1 and for further fine tuning there are sliders. Finally the manual adjustments for lens distortion correction. The distortion slider fixes the pincushion distortion if you move the slider towards left, it fixes the barrel distortion if you move towards the right side. The vertical and horizontal slider fixes or adjusts any vertical/horizontal perspective correction if any, you wish. Rotate slider is to use it for any level correction or slight distortion too. Scale slider is to either stretch out or to squeeze in the image for any reason which may be because of the distortion correction you have applied or too much of perspective correction applied. Aspect slider is to enlarge or squeeze the image in one axis for some creative purposes and can be useful to fix images from certain heavily distorting lenses that stretches the image along one axis causing it to look skewed. Finally Constrain crop, I keep it checked all the time, so you don’t need to see the portion which is not going to be part of the photograph due to the corrections being applied. On a lighter note once the “Constrain crop” is checked here, the “Constrain to Warp” in crop tool is also being checked automatically.

It is not advisable to use the vignette here and I don’t use for the following reasons – a. The controls here are minimal – only Amount & Midpoint, these controls are  required to eliminate only the vignetting produced by the lens,  and so it is not very flexible when we want to create artistic vignetting effects b. If you have cropped the photograph and you have applied some vignette, you are not going to get the full result rather you might get some unimaginable result, because the vignette you apply here is for the full image, it won’t consider the crop you have made via crop tool.  I suggest you to use the Effects panel and use post crop vignette where you have more controls.

Heading back to Lens corrections in the Basic sub-panel at the lower level there are Level, Vertical, Full, Auto and off options. They are to correct the perspective corrections which I am not using because of following reason – I do my crop as my first correction in the develop module, while I crop I have to do the level corrections and if any perspective issue I switch to the Manual section in Lens correction panel as for the above photographs. So I am in no need to use the auto function, but I have heard from my friends that Auto does a neat job in most cases.

If you are interested in reading more about CA click here and have you heard about mustache / complex distortion or if you want to read more about distortion click here and write your thoughts in the comments section.

Cheers, Happy photographing.

A place called Agumbe.

Agumbe

Golden rays

We were a bunch of 22 people from CTC, thought of going to a research centre, even though it is a bit of contradicting to usual treks and trips. Where a man does research about King cobras (Ophiophagus hannah). You know Gowrisankar just loves kings.

Agumbe

The research centre is located in mid of forest with basic facilities (Mobile phone, Electricity and Internet are not yet basic facilities) with a decently sized hut with a desk and timber bench on both the sides. On one adjacent side there are two timber almirah with books inside which are related to snakes and wildlife. Behind the almirah there is a small sink cum wash basin for obvious reasons. Now you may conclude that the desk cum bench arrangement is for reading, dining and sleeping at times.  :-)

Agumbe

Do not disturb. !

At the morning you woke up from the tent by hearing the melodious sound of Malabar whistling thrush. During the day time you roam around inside the jungle under the thick tree canopy, trying to understand the bio-diversity prevailing there. Insects, Reptiles, Amphibians, Mammals, Birds and Ferns, Flora all in one place.

Fern

Fern

 

Once you woke up in the morning either you go for a small hike cum trek to the near by mountain or explore the bio-diversity. Before I forget to mention the restrooms are really neat and clean. Important one, isn’t it. ;-)

Agumbe

Life everywhere.

If you go there with an agenda it will be good for you and the agenda too, you study / learn / research or what you are intended to do to. I have a plan to go there again probably with my best buddy to chat, read books and to star-gazing also.

Agumbe

Food will be prepared by the local cook and you will be getting a yummy and tasty Malanad dishes, you don’t need multi cuisine food to learn or study the nature. Isn’t it?

There is a stream in the premises where you can have a dip and enjoy the natural water. Since we visited the place in the initial time of summer the water was slow moving. During monsoon it must be wild and non-swimmers must stay away.

Colours of the Spring.

Colours of the Spring.

During the nights you can have a night walk with the volunteer from the centre. You will have an opportunity to sight the nocturnal life inside the jungle snakes, frogs, insects etc.,

You will be asked to switch off the small light in the hut at 10:00 PM which is been powered by a small UPS, to not to disturb the wildlife. After that you may go to your tent or you may watch the stars for sometime in between the areca nut trees. It’s a wonderful sight.

Agumbe trip-004-2

If Gowri is around, you can extract as many information from him about the Kings. I suggest not to ask many questions to him, he will share everything he knows in the workshops. :-) Simply putting, those three days were beautiful days.

Rameswaram trip-099-Edit-2

“R” in Lr.

♦  The moment you Press ‘R’ from whichever the module you may be in Lightroom, you will be taken to develop module with crop tool activated, and the “rule of thirds” overlaid on your image. Check the screenshot Fig – 01 below.

ImageFig – 01 Crop tool activated and Rule of thirds overlaid on your image.

♦  Now it is your turn to select an aspect ratio and give a try. Select an aspect ratio from the drop down menu in the crop tool bar (the tool bar works on demand based, you can’t see unless you activate the crop tool), once you selected the aspect ratio the size of overlay will change on the image. Now drag the overlay as you wish – towards your right, left, up or down – literally recompose your shot by placing the overlay in relation with the prime subject in the photograph. Press enter or click close or press ‘R’ once you are done. Check the screenshot Fig – 02 below.

ImageFig – 02 Aspect ratio selected as 1 × 1 and encircled in red.

And note the remaining portion apart from the potential image area is dim already, which makes decision-making as an easy one.

♦  How about adjusting your image to perfect horizon or to perfect vertical.! There are two options to do it in Lr, either by clicking the spirit level symbol in the tool bar, click the spirit level (encircled in the screenshot Fig – 03) and draw a straight line on the horizon or when the crop tool is active, keep the cursor out from the image area and drag up and down, there will be more grid lines overlaid (which will act as reference lines) as you move the cursor and you will be in a better position to evaluate your image to make it perfectly horizontal or vertical.

Image

Fig – 03 Spirit level tool encircled in red.

♦  Want to make a free form crop, with your own aspect ratio !. Click the lock symbol to unlock and to make it free form, drag your cursor inside the image area from one top corner to another diagonally opposite corner to make your own crop. Check screenshot Fig – 04

Image Fig – 04 Lock symbol encircled.

♦  When you make lens profile corrections, possibilities are there to include the corrected portion (the edges mostly). To avoid that click constrain to warp, as in the screenshot. Once you make constrain to warp on, the image will be cropped after the correction or it can be applied alternatively in the lens correction panel also. Check screenshot Fig – 05

ImageFig – 05 with Constrain to Warp check box encircled.

Here is the most interesting part in this tool.
♦  Want to see how your image will look according to different compositional rules, Lightroom comes very handy here. Your crop tool is activated by pressing “R” and the rule of thirds is overlaid, at this juncture press “O” and watch the image area, the different compositional rules will be overlaid as you press “O” repeatedly. These options are in Lr to make your photograph a much better than you thought while clicking the shutter. Look at the screenshots below.

ImageFig – 06 Screenshot with diagonal rule of composition overlaid

ImageFig – 07 Screenshot with Rule of triangle overlaid.

Image

Fig 7-a. Screenshot with Rule of triangle applied in a reverse manner (read further below on how to activate that).

ImageFig – 08 Screenshot with Golden rule overlaid

ImageFig – 09 Golden spiral rule overlaid.

There are total five no. of rules can be displayed and applied to your photograph in Lightroom.

a. Rule of thirds

b. Diagonal rule of composition

c. The golden triangle

d. Golden ratio

e. Golden spiral

Out of these five rules “The golden triangle” and “Golden spiral” can have a different versions like in Fig – 7.a, which can be activated by pressing and holding Shift along with press “O”. You can do the same for Golden spiral rule too, it has more versions. Check out and comment below, what do you feel about that.

I wish Adobe Lightroom add “Rebatment of rectangle” too in to the rules list in their further releases, it is also interesting one. The light intensity of the rule lines can be controlled by pressing and holding “Ctrl” key. Apply the rules together with different aspect ratios, the options are too many to make a better photograph.

Cheers. Hope you enjoyed this article. If so share it with your friends, they might also like as you did.

Drowning Peace.

Inevitable personalities

Sally Mann

Why I like her, because of one photograph she made, the most erotic I have ever seen. None of the nude photographs can come close to this photograph in sense of erotic feeling it creates in a male human’s mind.

Sally mann

The wet cloth, the stickiness of the cloth with the body, a hand with three fingers in the frame which holds the body on the right top of the photograph (obviously male hand), the cleavage, the shrinkage in the cloth due to wetness, the tight crop of the photograph – if you look again there are no space left around the body in the frame, everything made this particular photograph as an outstanding one. Though she made many nude kid photographs and she is controversial too in that regard, this one stands out in her portfolio and one of my favorite.

Steve Mc Curry

One of the well-known personality in photography and without talking about him, compositional topics would never get complete (leave Henri-Cartier at this moment). The below image is one of my most favorite in his gallery.

Steve Mc curry

Two bullock carts parked adjacent to a wall and an another bullock cart about to be parked, the bull shall be untied from the cart in few moments and the bull appears like it is watching the elder woman who is appears to be having a hump as his. The elder woman is walking away from the frame with the help of her walking stick, her left leg stepping forward and her whole weight have been supported by her right leg. All the three legs are visible to the viewer, if you watch again these three legs matches with the three legs of the bull (deliberately avoided the other leg of the bull inside the frame, either while capturing or post capture) is simply sheer brilliance.

Talking about the other features of the photograph would be colour and the overall mood. The green colour door has been complimented by the red colour interior finish inside the right side cart, may be perfect coincidence but it adds value to the photograph. The mood here is slightly esoteric, because of the noise – due to low light ISO boost or deliberate post capture addition, either way it adds value to the photograph. If you look again the photograph,it is underexposed by almost a stop, which again perfect combo with the mood here.

And some interesting things about the master, Steve knows India better than an average Indian knows India, yes he travelled to India 82 times till date and an another interesting thing is he did not locked himself in Black & White images which people tend to give lot of explanations. He took very few photographs in B&W.

 

Michael Freeman.

Couple of months back, I accidentally found his work in internet and are highly impressive. He wrote several books including The Photographer’s eye, The photographer’s mind and I happen to go through those books in a book fair here in Chennai, I have never come across such kind of books, which talks about composition, how a small point/line/spot/anything in any photograph is perceived by human brain with diagrammatic explanations.

Micahel Freeman

The above photograph have been etched in my mind from his work. The first bull from the viewer is looking down and the next one watching straight, but both their horns have placed in such a way that it forms a continuous vertical wavy pattern. If you look at the first bull’s neck where it ends and reaches the hump, from there on the herdsman’s hand takes the curve up and completes itself by keeping his hand on his head. This is the interesting part; the herdsman’s hand and the second bull’s horn bend are somehow parallel to each other and create a balance in the photograph. And the photograph being in Black & White makes all sense together, the first bull’s neck in black colour and herdsman’s shirt being in white colour creates this as a compelling photograph.

After watching different photographs from several masters and reading different books about photography, my conclusion towards a good photograph would be “There cannot be a set of exhaustive compositional rules to make a good photograph, since a unique and good photograph will come with its own rules which may or may not exist before”.

Kindly note all the above three photographs have taken from their websites.

Bliss

Y Photography.

Have you wondered why there is a sudden spurt of cameras and equipments with almost everyone! And there is nothing harm in that, rather it is a good sign at large.

Digital revolution is though reason behind it, but there is another side which is lack of creative drainage exists in the society for most. Now it is being filled by photography.

In digital photography you can take a picture and show it to the world almost instantly, you can get critics instantly, appreciations instantly – Instant gratification. Is this the only reason? – Yes, No, partially Yes, Whatever. On the other side photography makes you a better person; makes sense towards the societal complexes. Makes sense towards the inner of you. It makes you connect with nature, connect with more no. of different people, connect with the other creatures on this planet, makes sense of your being.

Stay Amateur

Why? The moment you turn in to a professional you are not a photographer alone you are a business man too, ultimately you have to compromise on your uniqueness, which might be the only thing you possess which is directly related to your own creative mind.  Compromising includes bringing down the price you quoted, comparison of your work, forced to do something which you may not wish to etc.,

Being amateur you have the liberty to shoot what you want and wish, you never going to be in a pressure to run a business and its sustainability. You are at your liberty to do which genre you want to choose, what you want to shoot, where you want to travel and whom with you want to travel etc.,

Being amateur is being happy all the times when there is a camera in your hand. It is a lovely thing to have a camera with you, learn about its functionalities, how it functions in a given situation, how you can make a photograph interestingly. Learning is fun, learn it from a senior makes you spend less time on learning, which means you think of making a good photograph alone.

When professional ?

When you cannot afford to go the routine 9 – 5 jobs, the job is not satisfying enough; the job is not stretching your learning curve. The one reason which cannot be is to earn money; rather money can be the side effect of your photography enthusiasm. And most importantly prepare yourself to play a business man role (and I mean it 100%) and a handful of investment for your gears, travel & studio equipment at the initial stage.

Three things

  1. Remember “Composition is the one thing which you will learn till your last photograph” it is a never-ending learning.
  2. Keep on raising your bar, Look at the master’s works. It is beautiful.

         Steve Mc Curry, Henri cartier, Saleh mann, Michael freeman, Ho fan, Nathan wirth,

3.Once the photography bites you, there is less possibility that you can go away from it. So learn, talk with related people. Have fun.  Make meaningful photographs, stay amateur.

Virginity Is A Social Construct

Originally posted on The Belle Jar:

Jezebel published a piece today with the title “Nearly 1% Of Women Claim They Were Virgins When They Gave Birth,” and, because this is Jezebel we’re talking about here, they used this as an opportunity to shame and belittle the women who say that they became pregnant while still virgins. And just so we all understand what author Erin Gloria Ryan means by virgins, she writes that they are women who,

“… were unpenetrated by the peen of a man when they became pregnant.”

She further explains,

“This doesn’t include women who became pregnant via in vitro fertilization or artificial insemination; these are women who gave birth the old fashioned way and were like *shrug! SERIOUSLY GUYS I DON’T EVEN KNOW HOW THIS HAPPENED!”

Then (incorrectly) asserts,

“Getting pregnant without sex is virtually scientifically impossible, yet dozens of women in the study (who were teens when the…

View original 953 more words

Stranded.

Constraints

 

 

  • Human eyes do not have f no.

 

  • Human eyes can see more light than camera

 

  • Human eyes can’t freeze and store pic’s

 

  • Human eyes do not see in a regular shape

 

  • Human eye’s see in a particular angle, 3 degree at a time.

 

  • Colours

 

 

  • You got it, right. You can’t blur a particular part in front of you and see the remaining things in front of you (you can’t see both at a time). Your eyes see in HDR, you have no control over it. Whereas you can make an image with your camera in such a way that it makes interesting by focus on one simple area and blur the remaining part and the results would be mostly interesting, since your eyes can’t see that image in real life.

 

  • Human eyes can see almost double the amount of light than your camera sees. Yes, you remember you see something really beautiful and when you take it in camera and see it, it is not what you just saw.  If you want to see what you seen via your naked eye, you have to take HDR shot by exposing for different lights in the scene and combining into one image to match the eye’s performance, than it looks like the one you seen. (careful processing is must one) You might have seen the hollowness in few images.

 

  • You can see a very fast-moving object and able to follow as well but then your eyes can’t store and reproduce it (for that matter none of the image can be reproduced exactly in the eye). We have high-end cameras to freeze motions.

 

  •  Our eyes do not see in a regular shape, whereas your camera sees in a regular rectangular shape. When you take a picture and put a border in general, pictures will look good, (and that is why one of the rules in contests are no borders).

 

  • You got it; our eyes can see only 3 degrees in a given time, which is why you have to take the eyes all over the frame, keeping things in potential places inside, so that you can take the eyes all over the frame interestingly (at the same time you should not complicate by including more objects inside the frame).

 

  • Colours itself a very large area to discuss. Sometimes you might have noticed a very simple frame can be compelling, if the image is well composed of colours, even when the frame has nothing much to show. Learn colours, it is interesting.

 

Conclusion

Though the above all things are neither a mind-blowing discoveries nor an exhaustive list to make meaningful photographs, but understanding them well can lead you to take better photographs for sure. David du Chemin says as Vision driven workflow and common terminology people uses is Pre-visualize. Both are asking one simple question – what you going to do after pressing the shutter button, which reveal an another  question, why do you need to take this image, what do you going to do with this image. If you have pretty decent answers for the above questions probably you are right. Go ahead click and share as well.

Photography is a craft; dare to learn it by day by day. People have achieved things after their continuous hard work towards their love.

A book about composition by Richard Zakia & David page. Click here.

Michael freeman’s books talks a lot about composition and how to make interesting photographs.

If you agree comment it and let me know or if you don’t agree than explain me how.

 

 

My five.

a. Print is the ultimate quality checker.

b. Carrying a tripod is not an arduous job; make a habit of carrying one.

c. Make it as a habit to use the crop tool while processing, it is your second compositional tool.

d. Learn to delete images pitilessly.

e. Clean your gears by yourself.  

PRINT – Given the situation today that our life is filled with screens everywhere, from Smartphone, tablet, laptop and to your workstation, Print appears to be not a required one. But remember print is your ultimate quality checker, what you see in your screen is not the same when you try to make one, to print what you see on your screen, itself is a great job and remember, to see your work on a paper will give you a sense of yours  feeling. Which no screen will give you. And most importantly photographs not just made to see via screens, they are meant to be printed framed and hung.

TRIPOD – It is not difficult to carry a tripod then to find a situation on your travel where you need a tripod or a tripod would improve significantly. Better carry one tripod regardless of where you travel either on a family outing or paid trip or friends outing. You never know what kind of situation you might face.  

CROP tool – Not everyone’s tool or it is required to use one. But try to use it on every image will bring out your compositional power. Next time you will be more conscious about composition when you head out with your camera. Try it differently try new aspect ratios, you don’t have to stick with the one comes with your camera. Exclude some portion of the image, try out 1 * 1, it is interesting one.  

DELETE – Yeah, one difficult thing probably and this is the one I have learnt recently. Delete images pitilessly, you have to learn which one to keep and which one delete. Review it immediately once you take or when you come back from the shoot sit back on the couch and delete what you don’t want and second refinement probably on the computer screen before you push it in to your editing software. Another important reason is being digital, you tend to take more images because you have got the flexibility to delete it. Thanks to digital, This doesn’t let you to keep all the Okay okay images, you don’t have to keep those images.

CLEAN – This one may not be possible all the time particularly when you are busy with your shoots and deliverables. But when you have got some little time clean your optics, camera, tripod etc.,will give you a sense of satisfaction and a feeling which nothing else can give you.

Silky Morning.

Y Processing.

As a photographer, it is not uncommon to come across these questions quite often; “Is post processing necessary?” “Why do you shoot in RAW and then convert it?” “Should I shoot in RAW or JPEG?” This blog post is trying to answer these questions about processing.

“A photograph is made in the camera, not in the computer”; while this statement remains true, in this digital era, a computer and camera go hand in hand. Processing (Computer) is all about bringing out the best from the RAW data (Picture in RAW format) your camera recorded. This is literally impossible with JPEG.

Before getting into the real subject, a basic knowledge of how your camera captures images in RAW and jpg, will make things easier.  Firstly, RAW is not an Image format; it is the data that is seen by the camera sensor which is recorded into the memory medium. jpg, however, is altogether different. The sensor sends all the RAW data to the processor and the processor converts it into jpg format with the preloaded instructions based on the time the image was captured and exposure value. The important part to be noted here is that the processor discards the rest of the data after converting it to jpg. Remember, the instructions preloaded by the manufacturers are not specific to the images; it is generic and every correction made by the processor on the image like sharpening and contrast, such as, are global and not local. And the reason you get a fairly neat image is because the instructions are based on 10000+ images shot by the various top photographers then across the globe.

This is the very first reason capturing a picture in RAW and post processing is important to bring out the best of the camera.

The second reason is the ability to process the image. Processing here includes White balance correction, exposure adjustment, contrast correction or boosting, correct to the true colors, sharpening, color cast correction etc. The extent to which one has to process the picture is entirely a personal choice. It is your picture, so you should define how it looks, and tweaking around with the above given parameters is acceptable, in all contexts.

It is very important to note that post processing and image manipulation are altogether different. I don’t consider manipulation as a part of photography processing. By manipulation I mean the inclusion or exclusion of some or more parts of the image. The reason one should not manipulate the image is that, I feel that he/she is an expert photoshoper but not a photographer.

Photography is an art form and processing is also part of that very art. Learn it; there are lots of websites out there. I use Light room for my all processing requirements with few plug-ins like Nik collection, Enfuse, Mogrify, The Fader etc. I strongly say that photography and processing is equally important task by its very nature.

I can very strongly vouch that Photography and post processing are equally important tasks, especially in today’s digital era of photography.

Again, all this is a personal choice. Kenrockwell, a very technically sound photographer takes his images in JPEG only. So the choice is entirely yours.

Keep clicking,

Cheers.

Cross.

The Visual Story Teller

An e book from ODED WAGENSTEIN via Craft & Vision.

The book starts with the line “Understanding visual story telling is a craft and not a talent will help you put to use right away all the practical advice and creative exercises in this eBook”.  This line itself made me complete this book in one sitting. I rarely complete books in one sitting, either the book stops fascinating me in middle or my bad brain jumps in to something dominantly.

Every good story deals with universal emotions, every good story must have a leading character and this part is further explained by an image from history, yes if you hide that particular portion of the photograph and the photograph had failed to make any connection with the viewer, than the portion you hide is the leading character in the photograph. Every good story is about relationships, this portion is further explained by few of the author’s photographs by explaining the relationship it makes with the viewer, or the relationship between the characters within the photograph or the relationship between the leading character and the surroundings within the photograph. Every good story is about highlighting; the author now brings in master “Henri Cartier-Bresson” for storytelling, the decisive moment, and modern photo journalism. He is undoubtedly the master of composition, geometrical shapes, and people, decisive moment. – It is only once, the moment has gone, the chance for photographing is gone forever.  Do check out Henri’s works if you have a strong passion about streets and in general photography, even if you are doing fashion or food photography his work will help you improve your composition.

Author now takes us to the world of colours, how colour unknowingly impacts the viewer and how to play with colours, complimentary, vivid, bright colours. Off course when it comes to colour in photography nobody is afford to not talking about the painters from the past world. The author talks now about Vincent van Gogh’s works and the way he used complimentary colours. Like Gaugin said “Colour! What a deep mysterious language, the language of dreams”.

The importance of preparation prior to the shoot is the difference between the professional and the amateur author says. A professional starts working before leaving home, an amateur waits for the things to happen. ! Professionals will do their research, quickly gathering all the information needed to allow them enough time to create strong photographs.  The importance of pre visualization and the importance of being in a place at the right time or most of the times have to wait for that right time for the right things to happen.

Without talking about light, photography topics will not get complete, in this chapter author talks about the light and its effects on the photograph and usage of Flash and soft boxes. Portraits, shooting with passion, if there is no passion in what you do than there is no point in the doing itself. For the author it took six years to find his path, working with Magazines. Finally he talks about the equipments he uses, from camera, lenses, filter, flash, tripod, soft box etc, The book concludes with publishing your work online, offcourse he talks about fb and other online mediums to publish your work.

Overall a good quality of book and every passionate young photographer’s must read one and at a meager price, you are good to go. Check here and use the code STORY4 for a dollar discount. The author’s work are here. By the way David duChemin’s Craft & Vision is delivering good quality books from the very first.

When it comes to light there is a very good and simple free eBook here from Anne McKinnel.

Image